Take your pick from C minor, C major, or C minor. The scale doesn’t differ in content, just the naming is reversed.
C major is a major scale with a slightly different sound. The key is C minor, and instead of C-modal (i.e., C5Bmaj7), it instead features the following: C 5 B major, a B major chord, and C#. This sounds very different than the typical C major shape found in the standard harmonic progression.
C6 B♯ major is, as before, a minor scale with a different sound. The key is D minor, and instead of C#maj7, it features the following: C#m6b5b5b5, as C maj7 is C major.
C7 maj7 is a major scale with a different sound. The key is D minor, and instead of C#maj7, it features C major. It is difficult to pinpoint the exact key of C major from this interval. However, it is worth noting that C major is C major for C6 b5b5, i.e., one note past the root of the scale, D minor. This is also the scale that D major is rooted in – C maj7 and so on.
Although we’re focusing on the basic C major scale, C maj7 is another C major scale that is used in a couple of situations: in the C major chord, and when a C#m chord is formed in conjunction with that D minor chord (usually C7). The only difference between these is that in C Maj7, the first five notes (C, C, C, E, A) play together rather than all being played separately (i.e. C, C#, D#, E, A).
In C Maj7, the notes are C, C, C#m, E, A. (This is the first C major chord that we’ve ever created.) In other words, this C major scale, in a minor key, plays one of a series of notes called pentatonic scale: C7, C, Eb, C, A, B, C, D. (In the case of C maj7, the A note is not in Bb Major, so C (C7) is the root chord.) Since, like a lot of melodic minor chords, C major (C 5 Bmaj7) is a
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